Sigma 70 200 f2 8 käytetty

The Sigma 70-200mm f/2.8 DG OS is the ideal lens for a variety of shooting styles that demand speed and versatility. It features a wide focal range of 70-200mm and a maximum aperture of f/2.8 for shooting in low light conditions and increased control over depth of field There's very little curvilinear distortion at the 70mm end, although there's a touch of more noticeable pincushion distortion at the 200mm. Again, however, this is only really visible when capturing subjects with defined linear details, rather than something that you'll see in general everyday use.

2010: Sigma AF 70-200mm f/2.8 EX DG OS HSM. The latest upgrade added optical stabilization (OS), a feature that has been offered by Nikon and Canon for quite some time now. With this feature added, Sigma was the first 3rd party manufacturer that was able to fully compete in this segment with the.. Optical Construction The optical formula employs 24 elements in 22 groups, including nine FLD elements and one SLD element. SLD is an abbreviation for Special Low Dispersion. FLD is used to identify glass that has low dispersion performance approximately equal to fluorite glass.Center of balance was perfect on my Canon 5D series DSLRs. I was able to handhold repeated shots with zero difficulty, even under abysmal lighting conditions.

Sigma 70-200mm f/2.8 Sports - Review and Sample Photos - YouTub

  1. As one would expect, the zoom works properly with Sigma teleconverters, but for the record I didn’t try one. Minimum Focusing Distance is 47.2 inches (120 cm) and that produces a magnification ratio of 1:4.8.
  2. Thanks to their wide focal range and bright maximum aperture, 70-200mm lenses are frequently relied upon by professionals working across all kinds of disciplines, from wildlife to weddings and everything in between. The lens on test certainly appears to have been specced to an uncompromising standard on paper, and its price seriously undercuts those of its competitors. So, it will no doubt catch the attention of many users looking to save money without wanting any corners to be cut.
  3. Vignetting can be seen at both ends of the focal range, although it takes longer to lift from the 70mm end as you progressively stop down the aperture. It's only when you get to f/5 that it's almost all gone, although even this is only really visible when shooting a uniform subject. The lens fares better at the telephoto end, with mild-moderate vignetting wide open, but this quickly improves at f/3.2 and past f/4 it's not really an issue.
  4. Sigma may have won much praise for many of its recent prime lenses, but the company has also steadily been updating its collection of zooms. The 24-70mm f/2.8 DG OS HSM | Art and 14-24mm f/2.8 DG HSM | Art arrived over the past couple of years, and now, with the 70-200mm f/2.8 DG OS HSM | Sports lens, the company has completed a trinity that covers the full 14-200mm range without once dipping below a maximum f/2.8 aperture.

Some mild barrel distortion is present at 70mm. Distortion is nearly absent at 85mm, but pincushion distortion starts showing at 100mm. Pincushion distortion becomes strong at 135mm and continues to be so through 200mm. The Canon 70-200 f/2.8 L shows the most distortion at 135mm (pincushion), but is a little better at most of the rest of the focal lengths. The Tamron 70-200 has slightly more barrel distortion, but much less pincushion distortion through the midrange and still less at 200mm. Prime/fixed focal length lenses typically show the least amount of distortion - pick a good one like the Canon EF 200mm f/2.0 L IS USM Lens for comparison in the ISO 12233 tool. You will see the detail in the example images change (while using the mouseover feature) to reflect the amount of distortion present. The size and weight of the Sigma 70-200mm f/2.8 EX DG HSM II Macro Lens are such that the lens can be carried for long periods of time, but you will know it is there by the end of the day. The Sigma 70-200mm F2.8 | S lens is your new workhorse. Next Pro. The new Sigma 70-200mm is razor sharp and the AF is quick enough to keep up even with tricky stage lighting. I've always been partial to fast Sigma primes for their super sharp performance at one focal length, but the 70-200mm..

Sigma 70-200mm f/2.8 EX DG OS HSM lens - Wikipedi

I did not encounter any excessive or lengthy focus seeking regardless which setting I used, even though I tried to create some. Also included is a useful, non-removable, rotating tripod collar with a popular Arca Swiss compatible fitting.The specialized glass is used to correct aberrations and improve image quality. Appropriate surfaces are treated with Super Multi-Layer Coating. The Sigma 70-200mm f/2.8G OS delivers a decent overall performance, especially at focal lengths below 130mm. The center never disappoints throughout the focal range but the corners need some stopping down for good performance at focal lengths above 130mm

Sigma 70-200mm F2.8 EX DG Macro HSM II Overview: Digital..

  1. En ucuz Sigma Objektif \u0026 Lensler modellerini karşılaştır ve yorumları inceleyerek Sigma 70-200mm f2.8 EX DG APO OS HSM Zoom Lens (Ni keşfet
  2. Good for: Casual sports and wildlife work or general-purpose short telephoto portraiture and landscapes.
  3. Admit it. You’ve always wanted a 70-200mm f/2.8 zoom lens. For many professional and enthusiastic amateur photographers, it’s the backbone of their lens arsenal. The new Sigma 70-200mm f/2.8 DG OS HSM Sports zoom lens ($1499) is a great candidate if you’re ready to take the plunge.
  4. Despite being significantly cheaper than Canon’s EF 70-200mm f/2.8 L IS III USM offering, and almost half the current street price of Nikon’s equivalent 70-200mm f/2.8E AF-S FL ED VR option, there are no obvious holes in the spec sheet; everything we expect at this level is present.
  5. g visible in full frame corners at 85mm. At 100mm, it is beco

Sigma 70-200mm f/2.8 DG OS HSM Sports Zoom Lens Shutterbu

Sigma's optical stabiliser is certainly capable and is about as effective as the system found in marque lenses. This adds to the feeling of good value this lens provides, especially as it's around £400 cheaper than the marque competition. Sigma 70-200mm f/2.8 EX DG OS HSM.. The focal length range and fast aperture are very useful features. They are excellent for portraits, sports, landscapes and other general-type shots including those taken in lower light levels. But at this point, I'd rather have the Tamron that at least autofocuses correctly some of the time and delivers better image quality at 200mm (we tend to use the extremes of our zoom lenses the most). And of course, the Canon 70-200 L versions are the best answer. Thank you for the comparison, I for one appreciate the time and effort you put into this review. I own the Sigma 70-200mm f2.8 HSM Macro II and I find it to be very.. That’s very true, of course, but of equal importance is the brighter viewfinder that the fast f/stop provides. And to many users, the most important benefit is the intentionally short depth of field when used at 200mm and f/2.8, as well as, perhaps, the desirable bokeh that comes along with that. This lens configuration has a lot to offer even before you consider all of the extra goodies Sigma added to their contender. We certainly don't expect 70-200mm f/2.8 lenses to be modest in size nor weight, and the 70-200mm F2.8 DG OS HSM doesn't subvert expectations. In terms of operation, Sigma has kept the order of controls to the same format as with its previous 70-200mm 1:2.8 EX DG OS HSM

Sigma 70-200mm f/2.8 EX DG HSM II Macro Lens Revie

The 70-200mm f/2.8 DG OS HSM uses Sigma’s proprietary Hyper Sonic AF Motor (HSM) which can be overridden easily for manual adjustment or control. Sigma’s Intelligent OS Image Stabilization system counteracts camera shake. Stabilization benefit is equivalent to approximately four f/stops. The Intelligent OS system has two modes and provides effective stabilization when moved horizontally, vertically, or diagonally—regardless of the position of the lens.The weight is just a shade less than four pounds. Frankly, it felt on the heavy side so I compared the specs to similar products from Canon and Nikon which are listed below.

Sigma 70-200mm f/2.8 EX DG OS HSM ePHOTOzin

  1. imum focus distance, however image quality when shooting at short distances is distinctly weak, especially at larger apertures. Autofocus and build quality are both very good, though, and if you're looking for a budget fast telezoom for low light or action work, then this is the lens for you.
  2. The lens is equipped with a focus limiter so you can limit the seek range for faster AF response. Normal focusing range is from 47.2 inches to infinity. When limited, autofocus is restricted to 3 meters (117 inches) to infinity.
  3. This zoom measures 8 inches long without lens hood and is 3.7 inches in diameter. For our metric readers, that’s 202.9 mm by 94.2 mm. The included reversible lens hood adds about 3 more inches to the impressive overall length.
  4. We took the new Sigma 70-200mm f/2.8 Sports for a spin, how does it stack up? Sigma 70-200mm f/2.8 DG OS HSM Sport Lens | REAL WORLD REVIEW - Продолжительность: 2:21 FocusCamera TV 38 426 просмотров
  5. Where you buy your gear matters. You expect to get what you ordered and you want to pay a low price for it. The retailers I recommend below are the ones I trust for my purchases. Get your Sigma 70-200mm f/2.8 EX DG HSM II Macro Lens now from:
  6. or abrasions, it also makes it easier to clean.

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f/3.5-4.8 Fujifilm 56mm f/1.2 Fujifilm 60mm f/2.4 Leica 15mm f/1.7 Leica 18mm f/3.8 Leica 21mm f/1.4 Leica 21mm f/2.8 Leica 21mm f/3.4 Leica 21mm f/4 Leica 24mm f/1.4 Leica 24mm Support this site by making a Donation, purchasing Plus Membership, or shopping with one of our affiliates: Amazon UK, Amazon US, Amazon CA, ebay UK, WEX Like a printing press that is out of registration, the colors are not being focused at the same point on the sensor. Eliminating CA is a challenge for lens designers as all wavelengths of light do not bend the same amount as they pass through the lens elements. The Canon 70-200 equivalent lens also shows noticeable CA at 200mm, but less of it. The Tamron equivalent is better in this regard, though it shows more CA at the wide end of the focal length range. 1 Sonos Arc gains new rival with cheaper Dolby Atmos soundbar from Sony 2 This business laptop doesn't quite rival the 13-inch MacBook Pro, but is less than half the price 3 Samsung Galaxy Note 20 line's 'Ultra' model could actually be the Galaxy Fold 2 4 Samsung TV Plus: the free TV streaming service explained 5 Best free games 2020: the top free games to download on PC 1 Get incredible deals on Samsung smartphones - but be quick 2 Your Google Home speaker is getting some fancy new controls 3 Huge iPhone 12 Max leak just told us the name of all four phones and so much more 4 Xbox Series X's cross-gen approach is robbing players of the next-gen thrill 5 Windows 10: disattivare questa funzione potrebbe migliorare le prestazioni di gioco TechRadar is part of Future US Inc, an international media group and leading digital publisher. Visit our corporate site.

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The 4.8 oz (135g) tripod ring shown above is included and removable. A very short rotation of the locking screw frees the ring for rotation and a pull on the loosened screw removes the collar completely - while the lens is still attached to the camera. This is much nicer than the Tamron implementation and the Canon f/2.8s require the lens to be removed from the camera for the tripod ring to be removed. The tripod ring does not feel like it is revolving on bearings (most don't), but it is relatively smooth. The Sigma 70-200 Macro II is both internal-focusing and internal-zooming which makes it very nice to use. An attached 77mm filter will not rotate during MF. Sigma includes the lens hood in the box. Sigma's new side-and-center-pinch front caps are especially nice - it is easy to remove the front lens cap inside the installed lens hood. The Sigma 70-200mm f/2.8 EX DG HSM II Macro Lens is shown mounted on a Canon EOS 40D DSLR in the above picture. This lens is available in a wide range of mounts including Canon (reviewed), Nikon, Sigma, Sony/Minolta, Pentax and Four Thirds.

Full disclosure: You should know that there are potential issues when using a lens made by a manufacturer other than the camera body manufacturer. Since Sigma reverse engineers (vs. licenses) manufacturer AF routines (except for their own bodies), the possibility exists that a new body might not support an older third party lens. Though not common, this has happened. Sometimes a lens can be rechipped to be made compatible, sometimes not. Again unusual is the situation where the lens and body manufacturers place fault on each other for a problem. To its advantage is Sigma USA's 4-year warranty - it is far superior to Canon's standard 1 year warranty. The risk is probably low, but you should figure this into your purchase decision. To make it clear, this is a review of the latest Sigma 70-200mm f/2.8 DG OS HSM Sports. A similar, older model, the Sigma APO 70-200mm f/2.8 EX DG OS HSM may be available at a lower cost. One difference is the optical construction: the newer model, the subject of this review, has more FLD elements for superior aberration correction.Construction is dustproof and splash-proof. This is truly an outdoor lens and can be used with confidence in weather that’s less than perfect. That said, I always feel compelled to warn photographers to use good judgment and avoid downpours, hot tubs, beer fights and other stupid situations that could damage their equipment—regardless what brand of gear they own.

Sigma 70-200mm F2

Price and Availability The Sigma 70-200mm f/2.8 DG OS HSM Sports is available now from your favorite camera store for $1499 in Sigma, Canon and Nikon full-frame DSLR mounts. Visit Sigma’s website for more information and an interactive directory map of authorized Sigma resellers. I generally buy my lenses new/retail to mirror the experience everyone else should expect to have. Being 0 for 3 on this lens model, I can't in good faith recommend that anyone buy this one. This is a shame as this lens has potential to be a good one - and a very good value. Taken as a whole, sharpness, color fidelity and image contrast were superb. Image Stabilization was completely effective and the AF was fast and quiet. In a nutshell, nothing was left wanting.

Even though the competition still beats the Sigma 70-200mm across the board (as noted above), when we compare the newer version versus the older version of the same Sigma lens, we see big improvements in resolution and chromatic aberration in the 2010 stabilized version: the resolution.. The Sigma 70-200mm f/2.8 EX DG HSM II Macro Lens focuses much more closely than the Canon 70-200s - it delivers a very good maximum magnification of .29x. As I've said before, this is not my personal definition of "macro", but it is a very good number comparatively. Close distance image quality at maximum magnification (200mm) is not great even stopped down, but image quality at wider angles is not bad even at near minimum focus distances. Extra magnification can be found through the use of the compatible Sigma 1.4x and Sigma 2x Teleconverters. The purpose of the teleconverters is to give you more focal length, so in my logic, the results that matter most are those from the long end of the zoom range. I didn't get a chance to try out the 2x, but even the 1.4x did not perform well on this lens at 200mm. Stopped down results were soft with additional CA present.

Sigma 70-200mm f/2.8 DG OS HSM Sports review TechRada

  1. g 70-200mm models including the similarly-spec'd Canon EF 70-200mm f/2.8 L USM Lens. So, is there a trade-off for the lower price? That is the big question.
  2. On the positive side, the Sigma 70-200mm f/2.8 EX DG HSM II Macro Lens is rather sharp wide open in the center of the frame throughout the focal length range. Unfortunately, by 200mm contrast has dropped very noticeably, vignetting shows up and CA has set in. The result is a washed-out, soft-looking and somewhat underexposed (but not in the very center) image. Stopping down to f/4 makes a very big difference in the center-of-the-frame contrast and vignetting as can be seen in the next example.
  3. A collection of switches lines one side of the barrel, namely focusing mode, focus limit range, optical stabilisation and a custom setting control. These are quite flush to the barrel but easy to flick and they move between positions with a pleasing positivity. The lens also sports a triplet of buttons, and these can be customised to perform different focusing tasks.
  4. The lens certainly feels robust enough in the hands, though. Magnesium alloy has been used for the barrel to keep it sturdy, while the mount has been fashioned out of brass. Dust- and splash-resistance comes courtesy of internal seals around all vulnerable points, and these are complemented by an external rubber seal at the mount, as well as water- and oil-resistant coatings on the front and back elements.

Amazon.com : Sigma 70-200mm f/2.8 APO EX DG HSM OS FLD..

  1. Finally, the lens can be mounted onto a tripod through a foot attached to the lens barrel, and this clicks as it passes through 90º points when rotated. Its design also ensures compatibility with the Arca Swiss system, although this foot can't be removed from the lens, only rotated out of the way. 
  2. All figures calculated by SIGMA. Appearance and specifications are subject to change without notice. Case, Petal Type Hood with lock (LH914-01), Built-in Tripod Socket (Non-detachable). Corresponding AF Mounts
  3. If you are willing to give this one a try, make sure you have a good return policy from your retailer. I did not try Sigma's warranty service for this lens, but that is another option that could potentially result in a great lens for the price.
  4. or chromatic aberration and more visible vignetting visible here are worth noting, although both can be easily rectified. Possibly more of a pain is the fact that the lens is relatively heavy, and the fact that the tripod foot cannot be removed may bother those who tend to work handheld. Even so, these are
  5. I was very disappointed to yet receive another front-focusing copy of the Sigma 70-200 DG II on my third attempt. Two of these lenses came from B&H and a third came from Amazon.com (just to mix things up). I tested these lenses on two Canon EOS-1Ds Mark III bodies (one is Canon-calibrated) and a Canon EOS 40D body. All delivered the same AF results - consistently front-focusing. I don't plan to try a fourth copy.
  6. The 70-200mm f/2.8 is a mainstay of the lens line-up for every manufacturer of full-frame cameras, including Canon, Nikon and Sony. Serious competition also comes from independent lens manufacturers like Sigma and Tamron, keen to get in on the action. Read more: The cheapest..

Shop now. Sigma 70-200mm f/2.8 EX DG HSM II Macro Zoom Lens for Nikon Digital SLR Cameras. See price on Amazon.com » Something that's particular impressive is control over chromatic aberrations, although with so many low-dispersive elements in the optical array, this shouldn't come as too great a surprise. Only very minor traces of lateral chromatic aberration can be seen towards the edges of the frame at 70mm, and there's even less at 200mm. More impressive is control over axial chromatic aberration the centre of the frame, which is virtually absent.The camera's autofocus system delivers a strong performance throughout its focusing range. Whereas some lenses are characterised by manic movements followed by a final shift for accuracy, the lens on test moves smoothly but surely between different focusing points, without the hesitation we sometimes get just prior to confirming focus. There is a little noise as this happens, although this isn't too distracting. Certainly if you turned off any beeps from the camera, you could realistically use this lens in more discreet environments without too much bother.Sharpness is already strong at both ends of the lens at f/2.8, as is consistency across the frame, and this only gets better as you close down the aperture. At middle-range apertures such as f/5.6, details are already so well defined that you only need a modest touch of sharpening when processing Raw files, otherwise more natural elements can appear overly sharp.

Handling and Feel For a lens that’s only 8 inches long, the Sigma 70-200mm f/2.8 DG OS HSM Sports is no lightweight, pushing the scales at nearly four pounds. The attached rotating tripod mount serves as a useful carrying handle and protects the camera’s lens mount from excessive strain when used with a tripod. In comparison to the less expensive Tamron 70-200, generally speaking, the Sigma was sharper in the corners through the midrange focal lengths while the Tamron was sharper at 200mm. The Tamron was slightly sharper wide open in the center at all focal lengths. Stopping down to f/4 brings the two lenses closer in comparison. At f/5.6, CA and distortion become the primary differentiators (more on this below).

The Intelligent OS system promises a maximum four stops of correction, which equates to around 1/13sec at 200mm, although testing shows that a steady hand can yield even better results. A number of images captured at 1/10sec appeared acceptably sharp (even if it wasn’t possible to achieve this consistently) but it was surprising to find images at 1/8sec and even 1/5sec to be rendered much to the same extent. It’s worth noting that this is with a 22MP full-frame camera, and that higher resolution models such as the Canon EOS 5DS and Nikon D850  may give more raise to slightly more blur when images are viewed at 100%. Even so, this is still a very good performance indeed.Whether you take pictures from the back row of your child’s middle school auditorium, the grassy plains of the Serengeti or the 50 yard line at Soldier Field, a fast telephoto zoom is your ticket to more photographic opportunities—and more great pictures. A 70-200mm f/2.8 is ideal for wildlife, sports, travel, weddings, portraits, news and many other camera pursuits. If you own a Sigma, Canon or Nikon DSLR you have many choices, including the new Sigma 70-200mm f/2.8 zoom lens. I suppose one could move the correcting distance toward the subject after autofocusing - that would give a new meaning to the phrase "focus and recompose". Or, have the subject move the correcting distance toward the camera. It would unquestionably be much better if the lens simply focused properly in the first place. Recommended Our Verdict It's something of a beast in the hands, but if you can tolerate that then the 70-200mm f/2.8 DG OS HSM | Sports will reward you with excellent all-round performance. The fact that Sigma has managed to deliver it at this price makes it all the more impressive.

Sigma 70-200mm f2.8 OS review - Cameralab

Multi-Layer coatings have also been applied to banish flare and ghosting, which in turn should help to keep contrast high, while an impressive 11 diaphragm blades should help to keep bokeh looking natural.There's a lot to love about this lens. With excellent detail at even wider apertures, great control over chromatic aberrations, very effective image stabilisation and prompt autofocus, it delivers what the professional demands at this level. Great build and weather sealing make it even more competitive, as does that price tag. It's not a cheap lens, but you get an impressive performance for the money.The optical array comprises 24 elements spread across 22 groups, and this includes nine FLD pieces of glass and a single SLD lens, all of which are used to help control chromatic aberration. That’s quite some step up from the two FLD and three SLD elements found in the lens’s eight-year-old predecessor.Overall, if you appreciate the limitations of this lens and stick within its practical limits, it provides much of the performance of the camera manufacturers' equivalents at a much lower price. If you're looking for a budget fast telezoom for low light or action work, then this is the lens for you. The Sigma 70-200 DG II incorporates Sigma's best AF system - HSM (Hypersonic Motor). Shots taken at 200mm and f/2.8 appear underexposed compared to those at f/4, but be wary of increasing the exposure as it becomes easy to blow one or more of the RGB channels in the center of the frame..

In terms of operation, Sigma has kept the order of controls to the same format as with its previous 70-200mm 1:2.8 EX DG OS HSM. This includes a zoom ring positioned right towards the front of the barrel and a focusing ring behind this. Quite which way around these should be is a matter of personal preference, as it's common to see one setup as much as the other, although many photographers do prefer to have the more commonly used zoom ring closer to the body where it's easier to reach.  Opinioni, caratteristiche tecniche e foto scattate con il Sigma 70-200mm f/2.8 DG OS HSM Sport, obiettivo tele per formato FF e APS-C, prodotto dal 2018 Specifications/Benefits The Sigma 70-200mm f/2.8 DG OS HSM is an advanced high-speed telephoto zoom and part of Sigma’s Sports series of lenses. Aperture range is f/2.8 to f/22. The aperture does not constrict during zooming, so you can shoot at f/2.8 throughout the entire range. The advantage of a 3X zoom that has a fast f/2.8 aperture may seem obvious at first—you can shoot in low light situations.

Flare is not too much of an issue at 70mm, but becomes more noticeable by 100mm and becomes very strong at 200mm. Bokeh (background / foreground blur quality) - the 9-blade aperture is delivering primarily nice-looking blur in the real life shots. The lens diaphragm consists of 11 blades and produces a rounded aperture at most f/stops, thereby enhancing bokeh. The Sigma 70-200mm f/2.8 DG OS HSM Sports is compatible with Nikon’s electromagnetic diaphragm mechanism and Canon’s Lens Aberration Correction firmware. I got further with my second Sigma 70-200mm f/2.8 EX DG HSM II Macro Lens (it passed physical inspection). But, I quickly determined during the ISO 12233 resolution chart test that this lens had a severe front-focus problem. The ISO 12233 chart results are posted for this lens (sample 2) - please note that the 70mm and 85mm samples from this lens were framed using AF. The front-focusing was so bad that proper manual focusing from the same shooting position caused the image to be noticeably reduced in the frame when accurately manual-focused - making the chart details slightly smaller than they should be. Do not use samples from these two focal lengths from this lens sample for distortion comparisons (use lens sample 1 which is the default). Manual focus is also possible, as is Manual Override (MO). With this latter feature, the user is able to continue using autofocus as normal, before making any final manual adjustments using the focusing ring around the lens. This is particularly useful when capturing moving subjects, which may move slightly just prior to capture. Not so good for: Macro / close-focus work and handheld telephoto shooting, where the lack of image stabilization puts you at risk of camera shake in images take at slow shutter speeds.

Sigma 70-200mm f2.8 EX DG APO Macro HSM II review - DXOMAR

The best 70-200mm telephoto lenses in 2020 Digital Camera Worl

The Bottom Line. The Sigma APO 70-200mm F2.8 EX DG OS HSM is a value option for professional shooters who want a stabilized f/2.8 telezoom Visit our Competitions Forum, where you'll find our monthly competition and other external competitions to enter.

A New Era of the 70-200mm Sigma Corporation of Americ

Palveleva fotoliike, kuvakirjat, kamerat ja tarvikkeet

SLR Lenses. Sigma 70-200mm f/2.8 EX DG OS HSM APO. Renowned for its versatility, the Canon EF-mount APO 70-200mm f/2.8 EX DG OS HSM from Sigma is a telephoto zoom lens covering a useful portrait-length to medium telephoto range Performance Summary When I evaluate any 70-200mm lens I look for these things: how fast can I go from shoulder to capture (i.e., from carrying the lens “at rest” to actual exposure), how well does it perform in low light, and finally, overall image quality. The Sigma 70-200mm f/2.8 DG OS HSM Sports earned high marks in all three categories.

Sigma APO 70-200mm f/2

Full-size sample photos from Sigma 70-200mm F/2

Tamron 70-200 F2.8 vs Sigma 70-200 F2.8 EX - PentaxForums.co

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